Purpose
The purpose of this track is to entertain its audience. This is put across as it does not contain information or advertisements due to the context in which this product is consumed will be in clubs, radio or on a personal music player. The purpose of the track is to also make money by marketing and selling the track to its target demographic.
Form and style
The form of this product is an informal song in the genre of future garage/ bass house. Its style comes across informal in its hip hop sampled vocals.
Content
The content of this track is very much heavily influenced by old skool garage flavour. its has a relatively fast pace of 126bpm which is about average in this genre. The track has quite a bright pitch with its steel drum style stab sequences but is very much evened out with its dark gritty “wobble” basslines. The vocals in this track are sample from a 90s hiphop which include the words freakin which put across that the song is informal. The genre of this track is BASS house/ Future garage due to its shuffling house beat and heavy bassline riffs.
Target audience
The target audience of this track will be evenly male and female between the ages of 18- 35 as that is the main age bracket found in the types of clubs its made to be played in. The target audience will also fall into the ABC1 social grade due to the lifestyle of this kind of music requires a fair amount of disposable income needed to go out and enjoy the nightlife. The target audience will also be very outgoing and energetic as this is connoted in the very up beat tone to the track and the situation in which it aims to be played.
Distribution
This track is Soundcloud, youtube and has been released through major outlets such as Beatport and iTunes. The track is also heavily played in clubs and on radio due to its explosive popularity.
Production Process
The pre-production of this track would be to secure the use of the vocal sample with the original record label and recording artist so that they cannot be sued for copy right. However the track wasn't initially intended to be released as a stand alone track but as a mixing tool for a djing performance so it would have initially been covered through a PRS licence. However as the track progressed it had huge potential to become a stand alone single So copyright considerations would have been sorted after the track had been finished so it could be released on a label.
The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. No external audio processing synths or drumpads where used in this production. The lyrics in this production are sampled however due to the success of the track, the original recording artist has granted use of the vocal. The lyrics in this track are not explicit so ofcom do not need to intervene if it is played on radio after the watershed.
They don't know - Disciples
Purpose
The purpose of this track is to entertain its audience. This is put across as it does not contain information or advertisements due to the context in which this product is consumed will be in clubs, radio or on a personal music player. The purpose of the track is to also make money by marketing and selling the track to its target demographic.
Form and Style
The form of this product is an informal song in the genre of Deep house. Its style comes across informal in its laid back vocals layered in.
Content
The content of this track is very much chilled out and less hard hitting. However the track uses very effective funky basslines and atmospheric drones to create the tone.The song is informal as the vocals “They don’t know” and “oh lord” come across as very chilled which is a common connotation of informal. The track is quite fast but seems slow due to its deeper tone and slower vocals. The tempo of this track is 124bpm.
Genre
The genre of this track is Deep house due to its shuffling house beat and more rounded bassline sounds and drones.
Target demographic
The target audience of this track will be evenly male and female between the ages of 18- 35 as that is the main age bracket found in the types of clubs its made to be played in. The target audience will also fall into the ABC1 social grade due to the lifestyle of this kind of music requires a fair amount of disposable income needed to go out and enjoy the nightlife.The target audience will also be very outgoing and energetic as this is connoted in the very up beat tone to the track and the situation in which it aims to be played.
Distribution
This track is Soundcloud, youtube and has been released through major outlets such as Beatport and iTunes. The track is also heavily played in clubs and on radio due to its explosive popularity.
Production process
The pre-production of this track would be writing the lyrics and planning the tone and feel of the track. This would then be recorded using technologies such as a condenser microphone and acoustic surrounds. This will then be connected to the computer via an audio interface which records the vocals into a digital audio workstation.
The pre-production of this track would be writing the lyrics and planning the tone and feel of the track. This would then be recorded using technologies such as a condenser microphone and acoustic surrounds. This will then be connected to the computer via an audio interface which records the vocals into a digital audio workstation.
The track was made using the logic pro x digital audio workstation and various other digital plugin effects. The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. No external audio processing synths or drumpads where used in this production as it was made using entirely internal audio processing and instruments. The lyrics in this track are not directly explicit so ofcom do not need to intervene if it is played on radio after the watershed.
Shadow Child & Sinden - Get At
Purpose
The purpose of this track is to entertain its audience. This is put across as it does not contain information or advertisements due to the context in which this product is consumed will be in clubs, radio or on a personal music player. The purpose of the track is to also make money by marketing and selling the track to its target demographic.
Form and Style
The form of this product is an informal song in the genre of future garage/ bass house. Its style comes across informal in its very big minimal bass drops.
Content
The content of this track is very "bare bones" and minimal which matches the style of shadow child. It has a very solid kick and a stand out clap and high hat pattern which shuffles the track along. The main riff of this track is very punchy with a minimal bass. It is also accompanied with dark drones and FX which create more space and atmosphere its track also giving its personality. The track also has a chopped vocal sample which sounds like " i do" this is used in multiple ways such as a percussive element in the track.
Target audience
The target audience of this track will be evenly male and female between the ages of 18- 35 as that is the main age bracket found in the types of clubs its made to be played in. The target audience will also fall into the ABC1 social grade due to the lifestyle of this kind of music requires a fair amount of disposable income needed to go out and enjoy the nightlife. The target audience will also be very outgoing and energetic as this is connoted in the very up beat tone to the track and the situation in which it aims to be played.
Distribution
This track is Soundcloud, youtube and has been released through major outlets such as Beatport and iTunes. The track is also heavily played in clubs and on radio due to its explosive popularity.
Production process
The pre-production of this track would be to gather the sounds and samples going to be used. This is because the vocals in the track are sampled and manipulated instead of using a recording vocalist. The samples will be cleared of copyright and will be royalty free to use like most sample packs on the market. The production process would be done using the logic pro x digital audio workstation and various other digital plugin effects. The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. Some external audio processing synths where used in this production such as a KORG synth to create basslines. The lyrics in this production are sampled however due to the success of the track, the original recording artist has granted use of the vocal. The lyrics in this track are not explicit so ofcom do not need to intervene if it is played on radio after the watershed.
The pre-production of this track would be to gather the sounds and samples going to be used. This is because the vocals in the track are sampled and manipulated instead of using a recording vocalist. The samples will be cleared of copyright and will be royalty free to use like most sample packs on the market. The production process would be done using the logic pro x digital audio workstation and various other digital plugin effects. The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. Some external audio processing synths where used in this production such as a KORG synth to create basslines. The lyrics in this production are sampled however due to the success of the track, the original recording artist has granted use of the vocal. The lyrics in this track are not explicit so ofcom do not need to intervene if it is played on radio after the watershed.
Hannah Wants - What I want
Purpose
The purpose of this track is to entertain its audience. This is put across as it does not contain information or advertisements due to the context in which this product is consumed will be in clubs, radio or on a personal music player. The purpose of the track is to also make money by marketing and selling the track to its target demographic.
Form and Style
The form of this product is an informal song. Its style comes across informal in its very outgoing sounds used. The genre of this track is Jackin’ house/ Future garage due to its shuffling house beat and heavy bassline riffs.
The form of this product is an informal song. Its style comes across informal in its very outgoing sounds used. The genre of this track is Jackin’ house/ Future garage due to its shuffling house beat and heavy bassline riffs.
Content
The content of this track is very much future garage as it has a relatively fast pace of 124bpm which is about average in this genre. The track has quite a bright pitch with its plucky synth stab sequences and its very muddy bassline which comes in with the main drop. The vocals in this track are sampled and chopped but don't really make up a chorus or line. These vocal samples are used in a very percussive way.
Genre
The genre of this track is Jackin’ house/ Future garage due to its shuffling house beat and heavy bassline riffs.
Target audience
The target audience of this track will be evenly male and female between the ages of 18- 35 as that is the main age bracket found in the types of clubs its made to be played in. The target audience will also fall into the ABC1 social grade due to the lifestyle of this kind of music requires a fair amount of disposable income needed to go out and enjoy the nightlife. The target audience will also be very outgoing and energetic as this is connoted in the very up beat tone to the track and the situation in which it aims to be played.
Distribution
This track is Soundcloud, youtube and has been released through major outlets such as Beatport and iTunes. The track is also heavily played in clubs and on radio due to its explosive popularity.
Production process
The pre-production of this track would be to gather the sounds and samples going to be used. This is because the vocals in the track are sampled and manipulated instead of using a recording vocalist. The samples will be cleared of copyright and will be royalty free to use like most sample packs on the market. The track was made using the Ableton live 9 digital audio workstation and various other digital plugin effects. The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. No external audio processing synths or drumpads where used in this production as it was made using entirely internal audio processing and instruments. The vocal samples in this are licensed to the artist so copyright isn't affected. The lyrics in this track are not explicit so ofcom do not need to intervene if it is played on radio after the watershed.
The pre-production of this track would be to gather the sounds and samples going to be used. This is because the vocals in the track are sampled and manipulated instead of using a recording vocalist. The samples will be cleared of copyright and will be royalty free to use like most sample packs on the market. The track was made using the Ableton live 9 digital audio workstation and various other digital plugin effects. The track was made using logic pro x and various other digital plugin effects to mix and master the track so it was top audio quality. Other technology used for this production was a MIDI keyboard, studio monitors, an IMAC computer and an audio interface. No external audio processing synths or drumpads where used in this production as it was made using entirely internal audio processing and instruments. The vocal samples in this are licensed to the artist so copyright isn't affected. The lyrics in this track are not explicit so ofcom do not need to intervene if it is played on radio after the watershed.
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